ARIA Concert Series The We Meaning You Tour (Copenhagen ) The We Meaning You Tour, Live at the. A music video for the song was released on 17 November 2021. This, plus their superb musicianship, stage presence and keen sense of humour invariably draw standing ovations worldwide. 'Drop it, drop it, drop it like its so hot'ALMA 'Pin Drop' is a song released on the 2021 Snowman Deluxe edition of Sias 8th studio album, Everyday Is Christmas. Arguably they are regarded as the leaders in their field in the world. Over the life of the band, eighteen CDs were produced, most of them commercially available recordings including award winning ones.īy excelling at the music they love and loving the music they excel at, they are recognised as one of the leading classic/mainstream jazz groups in Australia by critics and jazz fans alike. In 2018 they performed the Louis and Ella show. The group has performed several tributes at the Concert Hall and Famous Spiegeltent – Victorian Arts Centre such as: From Jelly Roll to Jump Jive Tribute to Satchmo The Great American Songbook Tribute to Bing Crosby and Best of British. The band has toured extensively, as cultural ambassadors for the Australian Government and with eighteen very successful European tours between 19 adding to an already impressive list. At concerts, virtuoso solo spots also highlight the talents of the individual artists. The instrumentation also allows total flexibility for formats ranging from pin-drop concerts to cabaret and dinner dances. Arguably, few other groups are perceived to possess the range of material and individual talent of this group. This guarantees a much broader audience and wider appeal than that of a ‘straight’ jazz group. The vocal harmonising talent of the front-line also lends itself to the performance of ‘popular jazz’ material a la ‘Mills Brothers’ and ‘Boswell Sisters’.Īlthough their repertoire stems from the roots of traditional jazz, they play everything from classic jazz through mainstream to pre-rock rhythm and blues. With their versatility (the guitarist plays banjo, the bassist plays tuba, the clarinetist plays alto and tenor sax and the trombonist plays bass), they cover a wide range of styles and material. Now known as ‘The Syncopators’, they achieved the pinnacle of Australian jazz within a few years. The hope of this project is that by giving these historical female composers their due, we can empower young female artists, as well as non-binary artists, artists of color, and artists from other marginalized groups, to continue to create and share their work with the world and to stand up to the biases which remain entrenched in so many of our cultural institutions.Įlizabeth Maconchy String Quartet no.Formed in 1984, Chris Ludowyk hand picked the cream of Melbourne’s jazz talent to form the ‘Society Syncopators’. This suppression of yesterday’s female voices has a direct impact on our idea of who gets to be a composer today, and contributes to the dearth of female composers, living or deceased, represented in classical and contemporary repertory. While many of the composers featured on this program achieved an impressive degree of public recognition in their lifetime, their music has often been belittled or ignored by music historians, music programmers, and musicians. 1 songs on the Billboard Hot 100 and three No. Since releasing her debut studio album Cant Take Me Home in 2000, the three-time Grammy Award-winning artist (born Alecia Beth Moore) has sold 60 million albums worldwide, with four No. The Rhythm Method brings the music of historical female composers into the public eye through research, performance, and recording. PNK is one of pop music’s most dynamic vocalists and stage performers. In Chinese energetics–which inspire the methodology of this work–the five elements are dynamic agents connected to the human senses, and the sense of hearing corresponds to water.” Listening to the rain means letting our sense of hearing tell us about the multi-dimensionality of water, how hearing is a topography, and how connected the sense of hearing is with the other senses. '“listen to the rain is an invitation to recognize water as both one and plural, both inside and outside of ourselves, taking many forms and emanating different temporalities. The piece invites our focus on what is transforming our environment, whether we call it nature-rainforests turning water into oxygen-or culture-a virus taking over an entire species, yet all revealing the stakes of in and outward Relation. Grounded in the study of the Asian theories of the five elements-rather, dynamic agents-and of the bagua, the music explores their generative cycles in the body in interdependency with the earth and cosmos, as a structural base. Approaching listening as performative and performance as meditative, listen to the rain’s instrumentation weaves Afrocentric with Eurocentric music traditions, written and oral. Composer and vocalist Anaïs Maviel and The Rhythm Method present the world premiere of Maviel’s listen to the rain.
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